Book Review: Down Comes the Night by Allison Saft

⭐⭐

Rating: 1.5 out of 5.

Genre: Gothic Fantasy Romance Young Adult
Publisher: Wednesday Books
Publication Date: March 2nd, 2021
Pages: Hardcover, 400 pages
Source: NetGalley

He saw the darkness in her magic. She saw the magic in his darkness.

Wren Southerland’s reckless use of magic has cost her everything: she’s been dismissed from the Queen’s Guard and separated from her best friend—the girl she loves. So when a letter arrives from a reclusive lord, asking Wren to come to his estate, Colwick Hall, to cure his servant from a mysterious illness, she seizes her chance to redeem herself.

The mansion is crumbling, icy winds haunt the caved-in halls, and her eccentric host forbids her from leaving her room after dark. Worse, Wren’s patient isn’t a servant at all but Hal Cavendish, the infamous Reaper of Vesria and her kingdom’s sworn enemy. Hal also came to Colwick Hall for redemption, but the secrets in the estate may lead to both of their deaths.

With sinister forces at work, Wren and Hal realize they’ll have to join together if they have any hope of saving their kingdoms. But as Wren circles closer to the nefarious truth behind Hal’s illness, they realize they have no escape from the monsters within the mansion. All they have is each other, and a startling desire that could be their downfall.

Allison Saft’s Down Comes the Night is a snow-drenched romantic fantasy that keeps you racing through the pages long into the night.

Love makes monsters of us all.

There are slight spoilers for the novel in this review.

Down Comes the Night by Allison Saft is an interesting mix of two genres, Gothic and fantasy romance, that Saft doesn’t quite manage to blend well.

Saft has all the pieces of a good story here, but the way they’re brought together doesn’t make sense after a while. I don’t often say this but Down Comes the Night has too much going on to just be a stand-alone novel, and that’s thanks to the fantasy elements. There are things that happen that are easily solved in order to keep the plot going in the direction Saft needs it to go. The biggest offender is near the end, when Hal has been imprisoned and Wren and her commanding officer/first love go to save him. There are only three guards in front of his cell, and they’re all “inexperienced” according to Saft. Why would you put inexperienced guards on a notorious war criminal’s cell? You put your best on that post. Predictably, Wren and her commanding officer are able to intimidate the officers away, and they literally walk out of the prison with Hal.  Everything worked too conveniently according to what Saft needed to happen, even when logic dictates that it shouldn’t have. I spent too much of this novel going, “This shouldn’t have worked, and I can literally think of several reasons why.”

The timeline of the novel is literally two weeks, maybe three, and in that time I’m meant to believe that Wren and Hal are able to not only put aside their differences to be civil with each other, but fall in love? I couldn’t buy it, unfortunately. I can see what Saft was trying to do with Wren’s character, making her a compassionate, emotional girl who can connect with people, and I do appreciate that. There just wasn’t enough time for me to believe that her relationship with Hal progressed the way that it did.

Added to that, the villain’s plot doesn’t stand up under scrutiny. The villain is an interesting character on their own, but ultimately their storyline had too many holes in it I couldn’t ignore, and too many instances of characters acting a certain way so that Saft could get the villain to do what she needed him to do. The worldbuilding, which influences the villain’s plot, also doesn’t hold up once you think about it for too long.

Maybe if Saft hadn’t tried to do so much in one novel, it would be better. But the constant convenience of everything going whatever way Saft needs it to in that moment in order to get to the next checkpoint on the plot became too much to ignore, and ultimately, does the story a severe disservice.

Book Review: What Big Teeth by Rose Szabo

⭐⭐

Rating: 2 out of 5.

Genre: Young adult Gothic horror
Publisher: FSG
Publication Date: February 2nd, 2021
Pages: 400, hardcover
Source: Edelweiss

Rose Szabo’s thrilling debut is a dark and thrilling novel about a teen girl who returns home to her strange, wild family after years of estrangement, perfect for fans of Wilder Girls.

Eleanor Zarrin has been estranged from her wild family for years. When she flees boarding school after a horrifying incident, she goes to the only place she thinks is safe: the home she left behind. But when she gets there, she struggles to fit in with her monstrous relatives, who prowl the woods around the family estate and read fortunes in the guts of birds.

Eleanor finds herself desperately trying to hold the family together — in order to save them all, Eleanor must learn to embrace her family of monsters and tame the darkness inside her.

Exquisitely terrifying, beautiful, and strange, this fierce gothic fantasy will sink its teeth into you and never let go.

NOTE: There are spoilers for this book in the review!

I almost gave up on What Big Teeth about 30% of the way in. The beginning was confusing, as it made me think I had missed a detail or an explanation of something that needed an explanation, when I hadn’t. Half of Eleanor’s mother’s body is covered in polyps, and she spends all her time in water. This is actually never explained and it’s never said why her mother is obviously part-fish. Eleanor seems to have gotten some traits from the fish part of her mother, such as webbed skin between her thumbs and enjoying being in the water, but it’s never followed through. More to the point, Eleanor keeps wondering why she’s so different from the rest of her family and why she never became a wolf, and it’s like… girl, you obviously took after your mother. What is there not to get? 

I suppose Szabo wanted to give her readers some credit and assume they were smart enough to put the pieces together themselves, but this doesn’t really work. Honestly, the character of the mother could have been cut out entirely and the novel wouldn’t have lost anything; her characterization is thin and she has no effect on the plot.

That was a big theme in What Big Teeth, actually: Eleanor never puts the pieces together until well after the reader has. The book is slowly paced and I’ve read that it’s more suited to older readers who have the patience to wait for answers, but I think that Eleanor’s inability to put the obvious together would cause older readers to get frustrated quickly. It’s very obvious what’s going on, but Eleanor doesn’t catch on right away, and when she does, she intentionally ignores it so the plot can continue.

Another big theme was introducing things and then just not following through on them. Eleanor’s maternal grandmother can force people to do things through verbal commands, such as “Go to your room and stay there”. This works on everyone, even Eleanor, but not her older sister Luma. Just like their mother’s half-fish background, this is never explained. I suppose some readers will be fine with this, but I personally wasn’t.

There’s also a reveal at the end that Eleanor is a reincarnation of her paternal grandparent’s first child who died young, but that was in no way foreshadowed at all through the novel. There was more support for her being a reincarnation of her maternal grandmother’s children than there was for that. 

The ending was pretty strong, to the point where I wondered if it was written as a short story first and then Szabo just built a novel around it. I will say it was a relatively fast read because the writing wasn’t overly purple-y; it was actually a little sparse, for a Gothic horror. 

I might come back for another novel by Szabo, as maybe the weak points here were just because she’s a debut author. I’m sad to say What Big Teeth was a miss for me, though.