Book Review: Payback’s a Witch (The Witches of Thistle Grove #1) by Lana Harper

⭐⭐

Rating: 1.5 out of 5.

Genre: Contemporary romance
Publisher: Berkley
Publication Date: October 5th, 2021
Pages: 336, paperback
Source: NetGalley

Emmy Harlow is a witch but not a very powerful one—in part because she hasn’t been home to the magical town of Thistle Grove in years. Her self-imposed exile has a lot to do with a complicated family history and a desire to forge her own way in the world, and only the very tiniest bit to do with Gareth Blackmoore, heir to the most powerful magical family in town and casual breaker of hearts and destroyer of dreams.

But when a spellcasting tournament that her family serves as arbiters for approaches, it turns out the pull of tradition (or the truly impressive parental guilt trip that comes with it) is strong enough to bring Emmy back. She’s determined to do her familial duty; spend some quality time with her best friend, Linden Thorn; and get back to her real life in Chicago.

On her first night home, Emmy runs into Talia Avramov—an all-around badass adept in the darker magical arts—who is fresh off a bad breakup . . . with Gareth Blackmoore. Talia had let herself be charmed, only to discover that Gareth was also seeing Linden—unbeknownst to either of them. And now she and Linden want revenge. Only one question stands: Is Emmy in?

But most concerning of all: Why can’t she stop thinking about the terrifyingly competent, devastatingly gorgeous, wickedly charming Talia Avramov?

Considering that I got to 48% of Payback’s a Witch, I probably should have finished it, but… honestly, I was bored. The technical aspect of the writing was fine, and the characters had pretty strong, distinct voices, but the pacing was all over place. Harper seemed to have trouble juggling all the different parts of the plot and figuring out how to have things move in a way that made sense. The character’s plot to get back at the man who hurt them made very little sense, and would have been easy to foil in real life.

I wasn’t overly into the relationship between Talia and Emmy, either, as I didn’t see much to support their relationship other than mutual lust-at-first-sight. That may be some reader’s cup of tea, but it isn’t mine, unfortunately.

Also, this is maybe a stupid quibble when Payback’s a Witch is meant to be a fun rom-com that you don’t think about too much, but I was a bit bothered by the history of Thistle Grove. The novel states that the four founders of the town gravitated to the area because the land “had an abundance of magic”.

The land that, by the by, is in America. So… what about the Native Americans who were there first? Were they using that land for anything? Or was it just happily empty of people and waiting for a bunch of colonizers to come take it?

Looking at the reviews, it seems I’m in the minority as far as Payback’s a Witch goes, so YMMV. It just wasn’t for me.

Book Review: Down Comes the Night by Allison Saft

⭐⭐

Rating: 1.5 out of 5.

Genre: Gothic Fantasy Romance Young Adult
Publisher: Wednesday Books
Publication Date: March 2nd, 2021
Pages: Hardcover, 400 pages
Source: NetGalley

He saw the darkness in her magic. She saw the magic in his darkness.

Wren Southerland’s reckless use of magic has cost her everything: she’s been dismissed from the Queen’s Guard and separated from her best friend—the girl she loves. So when a letter arrives from a reclusive lord, asking Wren to come to his estate, Colwick Hall, to cure his servant from a mysterious illness, she seizes her chance to redeem herself.

The mansion is crumbling, icy winds haunt the caved-in halls, and her eccentric host forbids her from leaving her room after dark. Worse, Wren’s patient isn’t a servant at all but Hal Cavendish, the infamous Reaper of Vesria and her kingdom’s sworn enemy. Hal also came to Colwick Hall for redemption, but the secrets in the estate may lead to both of their deaths.

With sinister forces at work, Wren and Hal realize they’ll have to join together if they have any hope of saving their kingdoms. But as Wren circles closer to the nefarious truth behind Hal’s illness, they realize they have no escape from the monsters within the mansion. All they have is each other, and a startling desire that could be their downfall.

Allison Saft’s Down Comes the Night is a snow-drenched romantic fantasy that keeps you racing through the pages long into the night.

Love makes monsters of us all.

There are slight spoilers for the novel in this review.

Down Comes the Night by Allison Saft is an interesting mix of two genres, Gothic and fantasy romance, that Saft doesn’t quite manage to blend well.

Saft has all the pieces of a good story here, but the way they’re brought together doesn’t make sense after a while. I don’t often say this but Down Comes the Night has too much going on to just be a stand-alone novel, and that’s thanks to the fantasy elements. There are things that happen that are easily solved in order to keep the plot going in the direction Saft needs it to go. The biggest offender is near the end, when Hal has been imprisoned and Wren and her commanding officer/first love go to save him. There are only three guards in front of his cell, and they’re all “inexperienced” according to Saft. Why would you put inexperienced guards on a notorious war criminal’s cell? You put your best on that post. Predictably, Wren and her commanding officer are able to intimidate the officers away, and they literally walk out of the prison with Hal.  Everything worked too conveniently according to what Saft needed to happen, even when logic dictates that it shouldn’t have. I spent too much of this novel going, “This shouldn’t have worked, and I can literally think of several reasons why.”

The timeline of the novel is literally two weeks, maybe three, and in that time I’m meant to believe that Wren and Hal are able to not only put aside their differences to be civil with each other, but fall in love? I couldn’t buy it, unfortunately. I can see what Saft was trying to do with Wren’s character, making her a compassionate, emotional girl who can connect with people, and I do appreciate that. There just wasn’t enough time for me to believe that her relationship with Hal progressed the way that it did.

Added to that, the villain’s plot doesn’t stand up under scrutiny. The villain is an interesting character on their own, but ultimately their storyline had too many holes in it I couldn’t ignore, and too many instances of characters acting a certain way so that Saft could get the villain to do what she needed him to do. The worldbuilding, which influences the villain’s plot, also doesn’t hold up once you think about it for too long.

Maybe if Saft hadn’t tried to do so much in one novel, it would be better. But the constant convenience of everything going whatever way Saft needs it to in that moment in order to get to the next checkpoint on the plot became too much to ignore, and ultimately, does the story a severe disservice.